Frank Williams 1931-2022

English Actor and CAA member Frank John Williams passed away on 26th June 2022. He was six days short of his 91st Birthday.

Edgware born, Frank was an only child. He began his career in rep at the Watford Palace Theatre which was then being run by a young Jimmy Perry, who went on to create Dad’s Army. This was the early days of Television, a performing medium that most attracted Frank. 

He made several TV appearances in the early 1950s and landed the part of Captain Pocket in the ‘Army Game’, a show in which he made 116 appearances. 

His first film role was as an uncredited extra in ‘The Story of Gilbert and Sullivan’ in 1953. His first notable role was in 1956 in the film ‘The Extra Day.’ He went on to appear in three films with Norman Wisdom; ‘The Square Peg’ (1958); ‘The Bulldog Breed’ (1960), and ‘A Stitch in Time’ (1963). Throughout this period he appeared in films such as ‘Inn for Trouble’ (1960), ‘Just for Fun’ (1963), ‘Hide and Seek’ (1964), ‘Headline Hunters’ (1968).

In the 1970s he appeared in ‘One of our Dinosaurs is Missing’ (1975), ‘Jabberwocky’ (1977), ‘What’s Up Nurse?’ (1977) ‘Oh, Heavenly Dog’ (1980). He also received acclaim for a TV role in ‘Diary of a Young Man’ (1964) Directed by Ken Loach. Often cast as a member of the clergy, Frank also appeared in ‘You Rang M’Lord,’ ‘Hi De Hi,’ ‘The Worker,’ ‘All Gas and Gaiters’ and ‘Vanity Fair.’

However he became a national treasure and was best known for playing Reverend Timothy Farthing in TV’s ‘Dad’s Army’ (1969 – 1977). He appeared in the Dad’s Army feature film and also had a cameo in the remake in 2016. In 1993 he co-founded with Bill Pertwee the Dad’s Army Appreciation Society. Frank described working on Dad’s Army as the happiest time of his professional life.

Frank Williams was a lifetime Christian and a patron of Veneration, a charity established to prevent the social isolation of the elderly.

by Chris Hare

Barry Cryer 1935-2022

Barry with Kay Carman and CAA member and Tiller Girl Rosalie Kirkman

Our much loved Patron Barry Cryer passed away on 26th January 2022. He had presented his own hilarious show at the club only two months before.

Barry was born in Leeds on 23rd March 1935 to John Cryer an accountant and his wife Jean. Barry’s father died when he was just five years old. A Grammar School boy, Barry went on to study English Literature at Leeds University during which time he became a writer for Leeds based Proscenium Players.

After appearing in the university revue, Barry was offered a week’s work at the Leeds City Varieties Theatre, home of the Good Old Days and Barry left university to go into show business full time. After impressing impresario Vivian Van Damm, Barry Cryer began as the bottom billing act at the Windmill Theatre.

Barry Cryer at the CAA 2021
Barry Cryer on-stage at the CAA 2021

Barry suffered from eczema and was hospitalised eight times in twelve years. He was released from his Windmill Theatre contract and decided that a performing career was not ideal because of his skin condition, so focused on writing. Barry joined the cast of Expresso Bongo in 1957 in which he recorded the song ‘The Purple People Eater.’ Barry Cryer’s first writing credits were four sketches for the Jimmy Logan Show.

Barry became head writer with an occasional stage role for Danny La Rue’s London night club, where he was spotted by David Frost. This led to Barry joining the writing team on ‘A Degree of Frost’ which also included John Cleese, Graham Chapman and Marty Feldman. David Frost used Barry on several shows which established Barry as a top comedy writer by the 1970s.

Barry Cryer is shown serving wine in the iconic Four Yorkshiremen sketch in ‘At Last the 1948 Show.’ He enjoyed a long partnership with Graham Chapman. Together they wrote about 50 TV Shows including ‘Doctor In The House’ (1969-70) and several for Ronnie Corbett including ‘No, That’s Me Over Here’ (1968-70) and ‘The Prince of Denmark’ (1974). With other writers he contributed to ‘The Ronnie Corbett Show’ (1987) and ‘The Two Ronnies’ (1971-87).

Barry with Kay Carman and CAA member and Tiller Girl Rosalie Kirkman
Barry with Kay Carman and CAA member and Tiller Girl Rosalie Kirkman

Barry always preferred to write in partnership. His regular partner through the 1970s was John Junkin. Barry still enjoyed performing, appearing with Tim Brooke –Taylor and Junkin in the BBC Radio series ‘Hello Cheeky.’ He also appeared on TV in ‘The Steam Video Company’ and hosted the ITV comedy panel game ‘Joker’s Wild’ (1969-74). He went on to make cameo appearances with the Rutles and Kenny Everett.

Barry toured with Willie Rushton in ‘Two Old Farts in the Night’ and joined the popular long running BBC radio comedy programme ‘I’m Sorry I Haven’t a Clue ‘ which began in 1972 and is still running today. In 1995 he toured the UK with ‘Barry Cryer-the first Farewell Tour.’ He followed that up in 2008 touring with Colin Sell in ‘Barry Cryer-Still Alive.’ He was the subject of ‘This Is Your life’ in 1995 and was awarded the OBE in 2001 for services to comedy drama.

Barry married singer and dancer Theresa Donovan (known as Terry) in 1962. They had four children, three sons and a daughter and one grandchild. His contribution to British comedy was truly outstanding and those of us in the full house at the CAA who saw what must have been one of his last performances, will cherish the memory for always.

by Chris Hare

Ruth Silvestre 1930-2022

Ruth Silvestre

We are sad to report the death of Ruth Silvestre, aged 92. An enthusiastic and active member of the CAA for many years, she served on the committee.

Born in Basingstoke, her mother, who had worked in service as a children’s nanny, would sing Ruth to sleep with a repertoire of music hall songs; Polly Wolly Doodle and Lily of Laguna being two favourites.

The fortune to find a good music teacher at secondary school inspired Ruth to sing and music became “as essential as breathing”. Moving to London to train as a teacher at Goldsmiths she joined dramatic societies and singing groups, enjoying parts in a variety of small productions and then in a professional pantomime one Christmas holiday. After graduating she continued singing lessons with the classically trained opera singer turned teacher, Catherine Rosser. The ensuing friendship continued for many years, Ruth eventually moving Catherine (and her Steinway Baby Grand) into the top floor of her house in Clapham.

An initial spot at Balsam’s restaurant in Mayfair (twenty minutes at 10pm) paved the way to a robust career as a cabaret artist with regular appearances in London at the Dorchester, the Cafe Royal and the Grosvenor House. Endlessly developing her craft and with a fine ear for accent and language she not only could sing Puccini fluently in Italian, but also had a repertoire of French, Yiddish, Hebrew, and Hungarian songs and was adept at holding an audience in the palm of her hand as she skilfully adapted her act to each occasion.

Ruth also appeared on screen and in theatre with parts in Kismet at the Stoll Theatre, Flower Drum Song at the Palace and Man of La Mancha at the Piccadilly. She took over the lead role of Aldonza from Joan Deiner, realising her ambition to see her name up in lights in London’s West End.

Away from the limelight Ruth was generous with her time and talents and she liked to keep busy. As well as singing for friends and family at parties, weddings and ceremonies, she joined Xenia Field’s ‘Old Lags’ prison entertainers, was a trustee of the Cara Trust (founded in 1988 by her cousin, Father David Randall) and also gave home schooling to a succession of troubled children who had fallen outside the educational system.

With her husband, Michael Grater, she bought and restored an old farmhouse in the South West of France where long summers were shared with an eclectic mix of family and friends and locals. Actors, artists, choreographers, directors, farmers, craftsmen, vicars and nuns would come together to share food, wine, music and good conversation. Ruth and her friends effortlessly supplied wholesome food from the tiny rustic kitchen and Mike making sure that everyone’s glasses were full. Diaries from this adventure led to the writing and publication of an acclaimed series of books; the Sunflower Trilogy.

In her later years she found comfort in music and worship at Southwark Cathedral and the Church of the Holy Spirit in Clapham, and was an enthusiastic member of MJ Parazino’s South London Choir. With a wide circle of friends she enjoyed exercise classes, French conversation meetings, book clubs and women’s groups.

In April 2020 she celebrated her 90th birthday at the CAA club with a cabaret dinner for family and friends, giving a robust performance of “Maybe it’s because I’m a Londoner”. Her voice was strong and clear, her love for her craft, her family and all of her friends undiminished.

Barrie Stacey 1926-2022

Barrie and Keith

BARRIE STACEY 24th October 1926–1st January 2022

In a wonderfully long life, Barrie Stacey spanned the twenties – 1920s to 2020s and in his 95 years he packed in more experiences, laughter, outrageousness and a sheer love of living life to the full, than most people would experience in dozens of lifetimes.

Broadcast LIVE on the day, a recording of Barrie Stacey’s funeral service is available to view here on the CAA website below courtesy of YouTube.

Barrie Stacey Order of Service Cover
barrie Stacey order of funeral service

Barrie left the earthly stage on New Year’s Day 2022 at the age of 95. As Barrie says in his autobiography, ’he was born at an early age and had a sheltered formative childhood, not being allowed to read the News of the World until he was three.’ Barrie was born in Boscombe, near Bournemouth.

He described his mother Phyllis Stacey, as very much in the Gladys Cooper mould. His father Edwin Stacey was a painter/decorator by trade and they met when both working at a hotel in Bournemouth.

Barrie has written that his father resembled a young Lawrence of Arabia at that time. Barrie had three brothers, John, Roy and David. Roy is still with us and has fathered two children, John and Julie.

Barrie says that his parent’s marriage became unhappy mainly because of his father’s thrifty ways. ‘Tight as a crab’s backside’ was Barrie’s description of him. However he did encourage Barrie in the arts which saw him singing in cafes and at concerts from the tender age of five.

In early 1945 Barrie was called for national service in the army. Shortly after Hitler shot himself and Germany surrendered – surely no coincidence! When stationed in Devon, Barrie first met Jessie Matthews, who was appearing at the Theatre Royal, Exeter. On demob Barrie, at 21 years of age, came to London looking to resume his fledgling career as an actor and ended up working for an agent – Catherine Billinghurst.

He enjoyed numerous jobs in theatres and the odd role. Barrie’s first play ‘Teddy Boy’ toured in the 1950s. He went on to write several others. After an accident when a lorry smashed into the taxi he was in, Barrie used the compensation to open his own coffee house in Monmouth Street. Barrie came up with the theatrical double entendre title for the café of ‘The As You Like It.’ it was described by an ‘as you like it’ regular Quinten Crisp. He says it was a delightful establishment usually called ‘the as’ by its habitués who were too lazy to utter consecutive words at any one time.

Barrie Stacey

In 1972 Barrie set up his own agency and production company and soon became well known and respected helping many artistes on their way, often to stardom. He presented star concerts such as the Jessie Matthews show at the Shaftesbury Theatre and Jim Bailey at the London Palladium. Also numerous names including John Hanson, Frankie Howerd, Bob Monkhouse, June Bronhill, Diana Dors, Russell Grant, Kathy Kirby and Ruby Murray. Barrie didn’t always get it right when it came to spotting young talent. At ‘the as’ he employed a delivery boy to take sandwiches to theatres called David Jones, who thought he could sing and write songs. Barrie auditioned him but told him that sadly he had little talent and should concentrate on another career. Undaunted, the boy persevered, even changing his name to David Bowie in the process.

Barrie presented many children’s musicals on tour and received a top children’s show producer award three times.

Barrie also produced an outrageously camp production of ‘Oh Camille’ at London’s Shaw Theatre. Barrie was awarded two coveted lifetime achievement awards by Encore Magazine and British Music Hall Society.

Barrie was so respected for helping artists to develop then releasing them to national organisations when the time was right. An act of professional kindness.

As a performer and narrator, Barrie toured his one man show ‘Life upon the very wicked stage’ and also numerous ‘Songbooks’ such as ‘West End to Broadway.’

He was also a regular producer of shows at the club for Acts and Actors. His autobiography ‘A ticket to the carnival’ written in his own inimitable non pc style, is a joy. He has also published three further books.

Barrie and Keith

Barrie and his partner Keith Hopkins moved into their Shaldon Mansions apartment on Charing Cross Road in 1977. Their parties were legendary and when Barrie tired, no offence could possibly be taken when he would announce to his guests “thank you for your company – now f off!”

Barrie continued working right up to his last hospitalisation. He is survived by his loving partner of 56 years, Keith Hopkins. A truly inspiring relationship. As Barrie’s health deteriorated over the last two years, Keith devoted himself to Barrie ensuring that he could stay in their Charing Cross Road apartment where they had been so happy for over forty years. Keith cared for him in a totally selfless way, wonderfully supported by friends.

To say we will miss Barrie is a gross understatement. Barrie was absolutely unique in a way that was truly special. The Max Miller expression ‘there will never be another,’ springs to mind. Two artistes who worked with and were great friends of Barrie come closest to capturing Barrie’s personality. Quinten Crisp said that Barrie could be trusted to tell all in a manner that will entertain everybody whilst wounding no one…unless they deserved it! At the ‘as you like it’ he would serve customers with scurrilous correctness while, at the same time, scourging them with the valour of his tongue. Russell Grant says he had never known Barrie to be depressed or down, he radiated an enthusiastic keenness in whatever he did. Barrie offered sympathy only when it was necessary, he never chastised or scolded people doing their best, but made you feel the most important person he knew, even if you were only the fifth munchkin from the left.

There are numerous Barrie Stacey stories and they will be recounted whenever and wherever show people gather.

Let’s hope there is a showbiz heaven. Barrie would be up there chatting with Jessie Matthews, Bob Monkhouse, maybe his adored Marlene Dietrich and certainly Quinten Crisp. You can imagine Barrie looking down on his wonderful funeral service on 16th February and turning to Quinten Crisp saying, “you see daughter – I told you I could pack that place for a Wednesday matinee.”

Rest in peace Barrie – although resting in peace is really not your style. And thanks for so many wonderful memories and for your extraordinary contribution to the business of show!

by Chris Hare

Chairman’s Christmas Newsletter

We hope this year we can celebrate Christmas with our loved ones! Covid permitting!

We have enjoyed three fantastic Christmas parties with excellent festive food from our caterer Peter Cliffe and his team. Socially distanced Cabaret, dancing and Santa and his Elf! Hooray!

As you know, 2022 is our 125th anniversary, the club being formed in 1897. So organising special CELEBRATORY functions is well underway. 

The First function is Friday 14th January at 7.30pm. ‘Evening All’ A tribute to our past president who we owe so much to, Jack Warner, devised and written by Gerald Glover. Technical direction is by Richard Norman. Cost is £25 members (£27 guests) which includes light refreshments after the show. 

A CAA 125th Anniversary Fund Raising Event

FRIDAY 14th JANUARY at 7.30pm

 

‘EVENING ALL’

A TRIBUTE TO JACK WARNER

 

Written by Gerald Glover

Technical Director Richard Norman

Donation £25 Members (£27 Guests)
includes light refreshments after the show
 

Celebrating the life and career of one of Britain’s best loved entertainers – Jack Warner.

Featuring movie clips from his many films – he was particularly proud of Carve Her Name With Pride (1950) – mingled with sound clips from his wireless and record career – Garrison Theatre on the BBC (Light Programme, of course!) and at the London Palladium (1940) – through to the film The Blue Lamp (1950) which was followed by his most famous incarnation, George Dixon……of Dock Green (1955-76).

To us at the CAA he is the Diamond Geezer who,   as our President, found our present premises. He persuaded J. Arthur Rank to be the guarantor for the mortgage we took out at the Midland Bank for 20 Bedford Street. Jack Warner was Rank’s biggest star at the time.

The first Monday night Club show of the New Year will be Monday 17th January. Simon Bashford is Social Secretary that evening presenting a ‘125 years Anniversary Show.’ West End Musicals through the ages performed by West End Musical Stars. Monday 24th January will be a ‘Member’s Night Show.’

A CAA 125th Anniversary Event

FRIDAY 28th JANUARY 7pm for 7.30pm
 

BURNS NIGHT

 

With a Piper, Dancing and Haggis!

 
£32 (£35 Guests) Includes Three Course Meal

The second CAA 125 Function on Friday 28th January is our traditional fun evening ‘BURNS NIGHT’ with piper and Haggis. Cost £32 Members (£35 guests) including the three course meal. This is followed by our Monday night show organised by Shannon Rewcroft as Social Secretary. 

The following Monday 7th February, Social Secretary David Power presents Star baritone Anthony Cable and Barry Stewart. Fun at the piano and in song with Laurence Payne as MD. On Monday 14th February Social Secretary Kay Carman presents a Valentine’s Night Show with Showbiz couple Vivienne McMaster a dancer and star vocalist with MD Sean Whittle from the Ritz.

A CAA 125th Anniversary Event

FRIDAY 25th FEBRUARY at 7.30pm
 
 

A BRIEF HISTORY OF JAZZ

A Jazzy musical journey from 1920’s Ragtime through the ages to Miles Davis.

 
An award winning show performed by the acclaimed PAUL HIGGS QUARTET
£20 Members (£22 Guests)

On Monday 21st February we have no show as the hall is rented for a private function. Our next 125 show opens the Jazz Nights series with ‘A Brief History of Jazz.’ From 1920s Ragtime through the jazz ages to Miles Davis. This award winning show is performed by the acclaimed Paul Higgs Quartet. Cost £20 Members (£22 Guests)

PAYMENT FOR CLUB FUNCTIONS – IF POSSIBLE PLEASE PAY BY CARD OVER THE PHONE OR IN PERSON TO MALCOLM IN THE OFFICE. Cash and Cheques are still acceptable in person or by post but card payments by phone are preferable. Many Thanks.

Judith Quiney is overseeing the refurbishment of the office suites which will be completed soon together with complete internet update.

 

 

SUNDAY 13th MARCH at 5pm

 

The CAA 125th ANNIVERSARY BALL

Cabaret, Dancing & Dinner.

THE EVENT OF THE YEAR!

 

Venue: The Victory Services Club, Seymour Street, W2 2HF

Members £80 (Guests £85)

 

THE CAA 125 YEARS ANNIVERSARY BALL will be held on Sunday 13th March at the Victory Services Club, Seymour Street, W2 2HF. Please put the date in your diaries. 

Thank you to all who bought tickets for the postponed 2020 ball. Although the costs and price have increased for 2022, the CAA will make up the shortfall on all monies we have already received. If you haven’t yet booked, New Prices are Members £80 (Guests £85) Thank you.

Christmas in the CAA Bar

The Club bar looked like a welcoming Santa’s grotto during the run up to Christmas. Thank you Nick Robinson.

I hope you all have a happy holiday season. Closed from 5pm on Thursday 23rd December, the Club reopens, Covid restrictions permitting, at 12 noon on Wednesday 5th January 2020.

Finally, Thanks to the Committee and Malcolm and the Staff, also all of you Members for your support during these ‘trying’ times.

Love to you all.

Stay Safe

Kay x